It feels *almost* normal to cover a new film release and collect all the available press junket videos – how great to have some film coverage back. Last week, Toni Collette sat down for a virtual press junket for the theatrical releases of “Dream Horse” in the United States and the United Kingdom. Clips from lots of news outlets and the British daytime talkshow Lorraine have been added to the video archive, alongside a couple of new clips from the film. A complete list of all added videos can be found below. Screencaptures from all appearances have been added to the photo gallery as well.

As previously covered, “Stowaway” had its world-premiere on Netflix this Thursday in every country of the world except for Germany (for whatever reason, thank you very much). While this means I haven’t been able to watch it myself, my friend Jess has helped me out with screencaptures from the film for us all to enjoy. Thanks so much for this wonderful contribution.

“A production designer once told me, ‘never do a movie in a submarine or in space,'” Anna Kendrick recalls. She defied that warning, however, to make Stowaway, the galactic sci-fi thriller from director Joe Penna (Arctic) headed to Netflix on April 22. “It was so simple and so lean, but totally compelling,” Kendrick tells EW of her initial reaction to Penna and Ryan Morrison’s taut script, which inspired her to enter the cosmos despite that well-intentioned warning. The actress stars as Zoe, a medical researcher on a spaceship headed to Mars on a two-year mission. On board with her are the ship’s commander (Toni Collette) and a biologist (Daniel Dae Kim) — and an unexpected stowaway (Shamier Anderson), whom the crew find trapped inside the ship shortly into their mission. With the small craft outfitted only to support three passengers and some irreparable damage done to its life support systems, the crew faces an impossible problem, which only Zoe believes they can solve. “I had never really read anything like it,” adds Collette. “It is contained and the characters are confined but the questions posed, moral and otherwise, are vast and wide open.” While the concept of being trapped in a tiny space may resonate after a year in quarantine, “it’s ultimately about community, survival, and sacrifice,” Collette points out. “Who can’t relate to that at the moment?” For Kendrick, “the thing that feels really relevant is less the isolation of it and more that kind of problem-solving part of your brain that we were all engaging so vigorously in the first couple months of the pandemic,” she says. “Just that constant problem-solving of, ‘wait, okay, how do we fix this?’ And just when it seems like you’re onto something, there’s some very obvious fundamental problem.” The complete interview with Anna Kendrick and Toni Collette can be read over at Entertainment Weekly.

Kids love the live-action educational show Odd Squad, and the parents of those kids are in for a treat the week of January 18, when Oscar-nominated actress Toni Collette guest stars on the Emmy-winning PBS Kids program. According to Fatherly, from Fred Rogers Productions, and targeted to viewers ages 6-9, Odd Squad follows young secret agents who aim to save the day using math when odd things occur, and their talents are really put to the test when Toni Collette arrives on the scene as a mysterious new villain called The Sand Queen. Fatherly is pleased to share an exclusive clip that features Collette joyfully chewing the scenery as The Sand Queen cackles madly, unleashes swirls of sand, tries to outrun the heroes in a funhouse, and uses a potato sack to ride down a slide. Collette never seems to play the same role twice, as evidenced by credits spanning from Muriel’s Wedding, The Sixth Sense, and I’m Thinking of Ending Things to About a Boy, Knives Out, and Unbelievable. Her previous family-friendly fare – including The Magic Pudding, The Boxtrolls, and Blinky Bill The Movie – has been of the animated variety. Whatever the reason Collette signed on, we’re excited to see her summon the sand – and the fun – on Odd Squad. You can watch a preview clip below, pictures have been added to the photo gallery.

The TV industry’s shiniest night of the year, a.k.a. the Primetime Emmy Awards, looked much different this year, given the never-ending pandemic. The ceremony’s host, Jimmy Kimmel, was literally fired up to emcee the festivities again, this time from the mostly vacant Staples Center in L.A., with winners accepting awards remotely, virtually, and digitally. If you tuned in just for Toni, there wasn’t much to see. She was nominated as Outstanding Supporting Actress in a Limited Series or Movie for “Unbelievable” alongside Holland Taylor (Hollywood), Margo Martindale (Mrs. America), Tracey Ullman (Mrs. America) and Jean Smart (Watchmen), but “lost” to Mrs. America’s Uzo Aduba, and wasn’t featured by camera during the nominations. The category segment can be watched below and in the video archive.

For today’s Netflix release of Charlie Kaufman’s “I’m Thinking of Ending Things”, Backstage Magazine blesses us with a cover story on Toni Collete’s ever-fascinating career, accompanied by a fantastic new editorial: Let’s talk about Toni Collette’s face. Few actors working today have such exacting control over their varied expressions, nor such a distinct capability to reflect every emotion under the sun. But Collette has long proven that in matters of performance, she can often do what others can’t. Who else can claim, for instance, to have their visage embossed on enamel pins decorating film buffs’ backpacks, caps, and collars? (More than just a meme, her mama wolf–like snarl over the dinner table in “Hereditary” is a popular kitsch item in this writer’s Brooklyn neighborhood.) But beyond that horror flick’s wildfire of contorted grief and rage, Collette is a master at capturing all manner of emotions: frenetic shock and joy (her toothy smile and side-eyed tongue bite in “Muriel’s Wedding”), awe and heartbreak (her wide-eyed gasp and quivering chin in “The Sixth Sense”), no-bullshit world-weariness (her furrowed brow and hard-lined jaw on “Unbelievable”), airheaded self-righteousness (her pursed lips and unmoving brow in “Knives Out”), and now, in Charlie Kaufman’s new film “I’m Thinking of Ending Things,” violent neuroticism and unsparing maternal attachment. That’s not to mention her uncanny embodiment of various split personalities on “United States of Tara,” a feat that earned her an Emmy and a Golden Globe for the series’ first season. The list truly goes on and on. You can read the complete article over at Backstage Magazine.