Feb 02 2019 ![]() After a first showing at this week’s Sundance Film Festival, “Velvet Buzzsaw” has had its wide premiere yesterday on Netflix worldwide. Personally, I loved its bonkers premise, the film can serve both as a recommendation to friends as well as a guilty pleasure. The critics have been positive to mixed – and “bonkers” is a word that pops up often. My favorite review comes from The Verge: “Netflix’s Velvet Buzzsaw feels like Robert Altman’s Final Destination”. Noel Murray wrote for Los Angeles Times: “While the art world caricatures are hardly fresh, there’s a lot about “Velvet Buzzsaw” that’s pretty savvy and even inspired.” Glenn Kenny wrote for the New York Times: “The confident storytelling and the bravura acting – Daveed Diggs, Toni Collette and John Malkovich contribute compelling caricatures – carry Buzzsaw all the way home.” For New York Magazine, Emily Yoshida wrote: “Velvet Buzzsaw is perhaps the first-ever art-world horror satire, but it has the feeling of a bawdy night at a mystery dinner or an anti-Establishment mummers’ play – and I mean this in the most complimentary way possible.” And Leah Greenblatt wrote for Entertainment Weekly: “Gilroy has a lot to say about money, mindless consumerism, and the soul-sucking emptiness of conflating ownership and ego-stroking with self-worth.” While Toni has not participated in the Sundance promotion for the film, she was interviewed by Metro and talked about her character:
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