Welcome to Toni Collette Online, your premiere web resource on the Australian actress and singer. Best known for her iconic performances in "Muriel's Wedding", "The Sixth Sense", "United States of Tara" and "Hereditary", Toni Collette has emerged as one of her generation's greatest talents. In its 13th year online, his unofficial fansite provides you with all latest news, in-depth information on all of her projects on film, television and the theatre as well as extensive archives with press articles, photos and videos. Enjoy your stay.
While there are still glowing reviews for Toni’s performance in the Sundance premiere of “Hereditary” coming in – its theatrical release has been set for June 8, 2018 – another of her films has been quietly released on demand yesterday, the Ben Lewin-directed drama “Please Stand By” starring Dakota Fanning. “Please Stand By” was shot over 29 days in L.A. as well as a couple days in San Francisco last year. Magnolia Pictures, which is affiliated with 2929 came on to distribute. The company is tapping Star Trek fans and the neuro-diverse community in the lead up to its day and date theatrical release this weekend. Fanning plays a girl with autism and Toni Collette plays her caretaker in a supporting role. Two clips from the film, as well as a promotional featurette, have been added to the video archive. Here’s a collection of reviews:
Observer, Rex Reed (January 26, 2018)
This is a sweet confection that mercifully never gets treacly—part family adventure, part suspenseful nail-biter, and reassuringly life-affirming from start to finish, with fine ensemble work by a first-rate cast, including a lovely bit by Patton Oswalt as a Hollywood cop who restores Wendy’s lost sense of security by conversing fluently in Klingon. But the powerful thread that keeps Please Stand By focused is Dakota Fanning’s deep dedication to her role. Shy, brave, and finding strength in unexpected places, her struggle to hold her sanity in check against overwhelming odds is what makes her performance—and the film—so memorable.
The Hollywood Reporter, Sheri Linden (January 26, 2018)
For the most part, Lewin uses a straightforward visual scheme. That gives the few subjective flourishes, blending Wendy’s surroundings with those of her imagination, more impact, as when the desolate part of a strange town transforms into an otherworldly desert. Wendy sets out on her life-changing journey. Her sister is soon in pursuit, as are Scottie and her teen son, Sam (River Alexander). Sam’s apparent unhappiness and his friction with Scottie are pointedly introduced only to be abandoned with no further comment. Yet even with that story thread left dangling, Collette communicates plenty with her character’s powerfully wordless reaction to someone’s mention of their single mother.
Vulture, David Edelstein (January 26, 2018)
It’s hard to judge Dakota Fanning’s performance. She keeps her eyes fixed, speaks in a monotone, and seems unnatural — but, of course, people at this level on the spectrum are apt to seem unnatural. So she’s probably very good. Although Scottie is a role that Collette could play in her sleep, she remains awake and shows conviction.
Den of Geek, Don Kay (January 26, 2018)
The movie also has some nice thing to say about fandom along the way (especially thanks to a third-act cameo from supernerd Patton Oswalt) and gives ample time to both Collette and Eve’s characters, with Collette in particular making it look effortless in the role of the sensitive yet no-nonsense Scottie.