Archive for the Mental
“Mental” has been released on DVD in various European countries (instead of a theatrical release), so there was finally a chance to see P.J. Hogan’s reunion with Toni Collette, almost twenty years after “Muriel’s Wedding”. The similarities stop here already, “Mental” is, as described by one reviewer, like Mary Poppins on acid – which is quite fitting. Look out for a personal review in the career section. Over 1.000 DVD screencaptures have been added, alongside screencaptures from an interview with Toni on the set. Video clips will be posted next. Enjoy.
Independent film distributor Dada Films has acquired Mental. The Australian comedy reunites director P.J. Hogan with actress Toni Collette for the first time since their collaboration in Muriel’s Wedding back in 1994, Deadline said. Dada’s owners MJ Peckos and Steven Raphael say they plan to release Mental both theatrically and on VOD on March 29. In Mental, Collette plays Shaz, a single woman hired by the father of five young girls to take care of them after their mother has a nervous breakdown. Anthony LaPaglia plays the father. Liev Schreiber also stars in the film as a shark hunter. Dada picked up Mental after it debuted at the Palm Springs International Film Festival earlier this month. Jerry Zucker, Janet Zucker, Todd Fellman and Jocelyn Moorhouse produced Mental.
A winner in the 2009 Women of Style Awards, actress Toni Collette talks to Jessica Rowe about babies, the big screen and being a homebody. Toni Collette is one of our biggest stars—though you’d never know it. The 39-year-old likes nothing more than hanging out in her trackie-dacks, on the couch, with her family of four—husband and musician Dave Galafassi, daughter Sage, four, and son Arlo, 18 months. But there’s no denying acting is in the DNA of Collette, who these days finds herself drawn to playing mother figures, women who are flawed, raw and honest. In her latest performance, she becomes the gutsy and ballsy Shaz; the film, Mental, is a “dramedy”, written and directed by PJ Hogan, who brought Collette to the world’s attention with his 1994 film, Muriel’s Wedding. And just as with those beloved Heslops of Porpoise Spit, the family dynamic in Mental is a little, well, twisted. The complete interview with Toni Collette can be read over at InStyle’s website.
The “Mental” promotion is in full force with several new interviews being broadcast on Australian television. Two, from Sunrise on 7 and The Age, have been added to the video archive. A first clip from the film, in which Shaz teaches the Moochmore girls about the Australian history – and how to deal with bullies, has been added as well, alongside a compilation of television spots to release the Australian release. All clips can be found in the video archive.
This Sunday, the Australian edition of 60 Minutes will feature of profile on Toni Collette to promote the Australian release of “Mental”. She’s a chick from the ‘burbs – a down-to-earth Aussie sheila who’s risen to the top in Hollywood.Toni Collette got her start in that wonderfully odd little Australian movie “Muriel’s Wedding”. Her role as the dumpy, wedding-obsessed Muriel from Porpoise Spit set her on the road to international stardom. Of course, it didn’t hurt that she also happened to be blessed with bucket loads of talent. In the eighteen years since, Toni has won a Golden Globe and an Emmy as well as been nominated for an Oscar. Now she’s come full circle playing Shaz in the new Australian Film “Mental.” It’s another quirky local comedy. And it’s taken her back to the place she loves best – home.
Here’s a new in-depth article on Toni and the upcoming Australian release of “Mental” by The Age Life & Style. From working-class Sydney to Sunset Boulevard is quite a journey, but Toni Collette has made it look easy. Amanda Hooton meets the instinctive actor and hands-on mother who has taken the “t” out of can’t. You can tell Toni Collette is a celebrity because of her hair. It’s blonde (art, not nature) and thick, and it has an excellent kink in it, swinging over her forehead and brushing her cheekbone. Even when celebrities shave their heads – as Collette has done on more than one occasion – you just know the great hair is there, waiting to spring forth again upon an astonished world. Apart from the hair, Toni Collette has turquoise eyes with thick, dark lashes, long teeth, a great figure (including quite a big bottom), and is far friendlier than I expected. Back in the ’90s, she seemed anxious and uncertain, often arriving late to interviews and sounding spiky and defensive. These days, however, she’s famous enough to do hardly any publicity, and perhaps this makes it easier for her to be calm with the journalists she does meet. And given that I manage to fling iced water all over the hotel lounge the moment we meet, and then burp loudly while she’s trying to answer a question a few minutes later, she’s actually under no obligation to be calm at all. But she is. “Burp it up,” she says cheerfully, pointing one long finger, with a short, purple-painted nail, towards my enormous stomach (I blame pregnancy for both aberrations). “Kids are the greatest, greatest thing,” she says. “You love them so much, you just want to …” She mimes a great big bite, as if eating a hamburger. Collette has two children – daughter Sage, 4, and son Arlo, 1 – and she arrived on the set of her latest film, Mental, last June, when Arlo was only nine weeks old. The complete article can be read here.
After its world premiere at the Melbourne International Film Festival (which Toni did not attend), reviews and additional media on “Mental” has found its way online. First of all, a bunch of new production stills have been added to the gallery. You can also find a new promotional still and the Australian poster with thanks to my “Mental”-source Justine for the heads-up.
The Hollywood Reporter has seen the film and has posted an interesting review: If there’s method to writer-director PJ Hogan’s madness, it’s not obvious from the unruly opening frames of Mental, a suburban comedy that celebrates mayhem and mischief-making as the correct responses to societal straightjackets. But, aided and abetted by the rule-defying Toni Collette, whose onscreen powers have only multiplied since the two worked together on the much-loved Muriel’s Wedding in 1994, the equally dissident filmmaker soon makes it clear he’s in control of the crazy. The complete review can be read here. There’s another article by the ABC on the film’s opening at the Australian International Movie Convention.